the vamoose

seensense: ‘Abstraction White Rose II’, Georgia O’Keeffe (1927). Oil on canvas The Pathetic Fallacy (Tromperie pathétique) of an art, once referred to by John Ruskin (1819 - 1900), is meant to adorn an anthropomorphic vision of the nature and humanize the non-human phenomena. Without drawing the line at just a freudian interpretation, the flowers in O’Keeffe paintings illustrate a marvelous expression of Ruskin’s theory: her vision breathes life into the paintings, conferring something dramatic. 

seensense:

‘Abstraction White Rose II’, Georgia O’Keeffe (1927). Oil on canvas

The Pathetic Fallacy (Tromperie pathétique) of an art, once referred to by John Ruskin (1819 - 1900), is meant to adorn an anthropomorphic vision of the nature and humanize the non-human phenomena. Without drawing the line at just a freudian interpretation, the flowers in O’Keeffe paintings illustrate a marvelous expression of Ruskin’s theory: her vision breathes life into the paintings, conferring something dramatic. 

(Source: ymutate, via maggieontherocks)

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    ‘Abstraction White Rose II’, Georgia O’Keeffe (1927). Oil on canvas The Pathetic Fallacy (Tromperie pathétique) of an...
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